The twelve paintings (number result from the primary colors) are indicative of the tones belonging to the chromatic scale that the human being has favored on other colors. Subject to a perpetual coating symbolic, these shades become bearers of paradoxes, ideologies and false dogmas; the color is just color, but what fascinates are the human mental constructs, wich have made them a perfect physical referent, concrete and real.
Loris Drago,abstract,painter,painting,mire,color,iconography,sign,paintings,biography,works,exhibitions,contacts,art